“An ancient dance that is still performed today”
Folk Culture, Nationalism, and Socialist Art in Albania after the Fourth Plenum of 1973
Abstract
This article analyzes artistic debates about folk culture and Socialist Realism that took place in state socialist Albania in the 1970s. It begins by exploring the impact that dictator Enver Hoxha’s infamous Fourth Plenum speech had on the visual arts and culture more broadly, and then proceeds to investigate the increasing emphasis on national and folk identity that characterized art critical discourse in Albania after 1973. The article aims to overcome simplistic interpretations of this phenomenon that straightforwardly equate increasing devotion to national themes in the visual arts as part of a decline catalyzed by Albania’s growing isolationism in the 70s decade. Instead, the article shows that the turn to folk themes and practices reflected the extension of certain logics of Albanian Socialist Realist discourse, and parallelled similar developments elsewhere in the world of the late Cold War, with nations in the decolonizing world and established socialist nations alike increasingly focusing on crafts, the applied arts, and the popular forms of making they reflected and developed. The article asks: can we read the prominence of national and folk narratives as part of a complex navigation of Albania’s place in relation to the decolonizing world, as well as the major powers of the Cold War? Can the stronger turn towards folk culture be read as an effort to achieve a kind of totalizing aesthetic account of socialist society, to capitalize on the promise of Albania’s Ideological and Cultural Revolution (begun in the late 1960s) while at the same time profoundly shifting cultural reference points away from Soviet art?
Keywords:
Socialist Realism, art history, folk art, nationalism, socialist culture, Albania, decolonizationDownloads
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References
Gazeta dhe revista
Drita
Nëndori
Libra dhe artikuj shkencorë
Abazi, Enika, and Albert Doja. “From the Communist Point of
View: Cultural Hegemony and Folkloric Manipulation in
Albanian Studies under Socialism”. Communist and PostCommunist Studies vol. 49, no. 2, 2016, pp. 163–178.
Bardhoshi, Nebi, and Olsi Lelaj. Etnografi në Diktaturë: Dija,
Shteti dhe Holokausti Ynë. Tirana: Akademia e Studimeve
Albanologjike, 2018.
Beqa, Mentor. “A Critique of the Concept of Isolationism: The
Case of Albania”. European Academic Research vol. 4, no.
, March 2017, pp. 10705–10715.
Bonin, Christianna. “The Art of the Sixtiers in Soviet
Kazakhstan, or How to make a Portrait from a Skull”.
Central Asia Survey vol. 40, no. 1, 2021, pp. 34–56.
Bowlt, John, ed. and trans. Russian Art of the Avant-Garde:
Theory and Criticism, 1902–1934, New York: Viking Press,
Broci, Ermela. “Bibliografia etnografike e revistës Kultura
Popullore (1980–2016)”. Antropologji vol. 5, no. 1, 2023,
pp. 75–133.
Caffee, Naomi. “Between First, Second, and Third Worlds:
Olzhas Suleimenov and Soviet Postcolonialism, 1961–
”. Russian Literature nos. 111–112, 2020, pp. 91–118.
Ceka, Egin. “Muzeu Kombëtar dhe Muzeu i Skënderbeut si
Institucione të Religjionit Civil Shqiptar të Komunizmit”.
Përpjekja vol. 11, no. 21, Fall 2005, pp. 121–147.
Dragostinova, Theodora K. The Cold War Margins: A Small
Socialist State on the Global Cultural Scene. Ithaca, NY:
Cornell University Press, 2021.
Drosos, Nikolas. “Modernism and World Art, 1950–72”.
ARTMargins vol. 8, no. 2, 2019, pp. 55–76.
Erebara, Gjergj. “Elementi demografik në krizën ekonomike të
viteve ’80”. Përpjekja vol. 20, nos. 32–33, Spring 2014, pp.
–128.
Fischer, Bernd J., ed. Balkan Strongmen: Dictators and
Authoritarian Rulers of Southeast Europe, West Lafayette:
Purdue University Press, 2007.
Flores, Patrick D. “Social Realism: The Turns of a Term in the
Philippines”. Afterall no. 34, October 2013, pp. 63–75.
Galaty, Michael L., and Charles Watkinson, eds. Archaeology
under Dictatorship. New York: Kluwer Academic, 2004.
Gallagher, Tom, and Geoffrey Pridham, eds. Experimenting with
Democracy: Regime Change in the Balkans. New York:
Routledge, 2000.
Gawrych, George. The Crescent and the Eagle: Ottoman Rule,
Islam, and the Albanians, 1874–1913. London: I.B. Tauris,
Ho, Christine I. “Crafting Friendship”. Art History vol. 45, no. 5,
November 2022, pp. 1016–1036.
Hobsbawm, Eric, and Terence Ranger, eds., The Invention of
Tradition, Cambridge: Cambridge University Press, 1983.
Hoxha, Artan, Sugarland: The Transformation of theCountryside in Communist Albania, New York: CEU Press,
Hoxha, Enver, Mbi Letërsinë dhe Artin. Tiranë: 8 Nëntori, 1977.
Hoxha, Ermir, Historia e Artit Shqiptar 1858–2000. Tiranë:
Aldesign, 2019.
Islami, Gjergj, and Denada Veizaj. “Castle within a Castle:
Modeling the National Identity through Architecture in the
Fortress of Kruja”. In Anna Marotta, and Roberta Spallone,
eds., Defensive Architecture of the Mediterranean Vol. 8.
Turin: Politecnico di Torino, 2018, pp. 691–696.
Isto, Raino. “A Different Narrative of Nonalignment? The Case
of Socialist Albania in the Art History and Geography of
East-Central Europe”. In Caterina Preda, and Magdalena
Radomska, eds., Plural and Multiple Geographies of
Modern and Contemporary Art in East-Central Europe.
New York: Routledge, forthcoming 2024.
------. “The Dictator Visits the Studio: The Vlora Independence
Monument and the Politics of Albanian Monumental
Sculpture, 1962–1972”. Third Text vol. 32, no. 3, 2018, pp.
–518.
------. “‘This Exhibition Will Go Down in Our History of
Painting’: Art Exhibitions in Albania around 1972 and the
Promise of Spring”. Art Studies no. 21, 2022, pp. 89–135.
Kluczewska, Karolina. “Socialist in Form, ‘National’ in Content?
Art and Ideology in Soviet Tajikistan”. Nationalities Papers
vol. 50, no. 2, March 2022, pp. 372–394.
Kodra-Hysa, Armanda. “Albanian ethnography at the margins of
history 1947–1991: Documenting the nation in historical
materialist terms”. In Aleksandar Bošković and Chris Hann,eds., The Anthropological Field on the Margins of Europe,
–1991, Berlin: Lit Verlag, 2013, pp. 129–151.
Kolevica, Petraq. Arkitektura dhe Diktatura. 2nd ed. Tiranë:
Logoreci, 2004.
Korkuti, Muzafer, et al. Shqipëria Arkeologjike. Tiranë:
Universiteti Shteteror i Tiranës, Instituti i Historisë dhe i
Gjuhësisë, Sektori i Arkeologjisë, 1971.
Korkuti, Muzafer, and Karl M. Petruso, “Archaeology in
Albania”. American Journal of Archaeology vol. 97, no. 4,
October 1993, pp. 703–743.
Marku, Ylber. “Socialism in Action: Albania’s Ideological and
Cultural Revolution and Lessons from History”. Art Studies
no. 21, 2022, pp. 39–88.
Meta, Beqir, Afrim Krasniqi, and Hasan Bello, eds. Indoktrinimi
komunist përmes kulturës, letërsisë dhe artit: Vëllimi II
(1969–1973). Tiranë: Akademia e Studimeve
Albanologjike, Instituti i Historisë, 2019.
Popescu, Monica. At Penpoint: African Literatures, Postcolonial
Studies, and the Cold War. Durham: Duke University Press,
Satka Mata, Fjoralba. “Albanian Alternative Artists vs. Official
Art Under Communism”. In Cristian Vasile, ed., History of
Communism in Europe, vol. 2, Bucharest: Zeta, 2011, pp.
–94.
Shqipëria socialiste marshon. Tiranë: Naim Frashëri, 1969.
Simpozium për problemet e Festivalit folklorik kombëtar të
Gjirokastrës, tetor 1973: 14-15 qershor 1974. Tiranë:
Akademia e Shkencave, Instituti i Folklorit, 1975.
Tochka, Nicholas. Audible States: Socialist Politics and Popular
Music in Albania. Oxford: Oxford University Press, 2016.
Uçi, Alfred. Probleme të estetikës. Tiranë: Shtypshkronja e Re,
Vickers, Miranda. The Albanians: A Modern History. New York:
I.B. Tauris, 1999.
Võ, Chương-Đài. “From the Academy to Revolution”. In Magda
Lipska and Piotr Słodkowski, eds., Was Socialist Realism
Global? Modernism, Soc-modernism, Socially Engaged
Figuration, Chicago: University of Chicago Press, 2023, pp.
–173.